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JEANNE SILVERTHORNE

1950 Born in Philadelphia, PA
1971 Receives B.A. from Temple University, Philadelphia
1971-1972 Studies at Pennsylvania Academy of the Fine Arts, Philadelphia
1972 Marries Robert Hernan
1974 Receives M.A. from Temple University, Philadelphia
1977 Completes course work for Ph.D., Temple University
1979-1980 Receives National Endowment for the Arts, Critic’s Fellowship
1982 Receives Pennsylvania Council on the Arts, Artist’s Fellowship
1995 Receives Fellowship, Civitella Ranieri Center, Umbertide, Italy
1996 Receives Anonymous Was a Woman Grant
2002 Receives Penny McCall Foundation Grant
2010 Receives Joan Mitchell Foundation Grant
Lives and works in New York City

SOLO EXHIBITIONS

1980, 81 Nexus Gallery, Philadelphia, PA
1982 P.S. 1, The Institute for Contemporary Art, Long Island City, NY
1990 Hobart and William Smith Colleges, Geneva, NY
Christine Burgin Gallery, New York, NY
1993 Amelie A. Wallace Gallery, State University of NY College, Old Westbury, NY
1994 McKee Gallery, New York
Galerie Nathalie Obadia, Paris, France
1995 Gallery Paule Anglim, San Francisco, CA
1996 * Institute of Contemporary Art, Philadelphia
Rocca Paolina, Perugia, Italy
1997 McKee Gallery
1998 Shoshana Wayne Gallery, Santa Monica, CA
* Jeanne Silverthorne: Towards a New Century, Wright Museum of Art, Beloit College, WI
1999 Galerie Nathalie Obadia, Paris
The Studio Stripped Bare, Again, Whitney Museum of American Art at Philip Morris, New York
2000 * McKee Gallery
2002 Shoshana Wayne Gallery, Santa Monica
Jeanne Silverthorne: New Work, Gallery Paule Anglim, San Francisco
2003 McKee Gallery
2005 Shoshana Wayne Gallery
2006 Butler Gallery, Kilkenny, Ireland
Gallery Seomi, Seoul, Korea
Installation, project room, Woodruff Arts Center, Atlanta, GA
2008 * McKee Gallery
2009 Jeanne Silverthorne: The Invisible Worm, Shoshana Wayne Gallery
2012 * Peripheral Vision, Mckee Gallery
2013 Intersections: Jeanne Silverthorne Vanitas!, The Phillips Collection, Washington, DC
Jeanne Silverthorne: Little Big, Galerie de France, Paris

* catalogue

SELECTED GROUP EXHIBITIONS

1979 Opens Friday, Moore College of Art and Design, Philadelphia, PA
New Talent, Eric Makler Gallery, Philadelphia
1980 Artists of the Alliance Juried Exhibition, Philadelphia Art Alliance: traveled to
Glassboro State College, NJ
1981 * Words and Images, Southern Alleghenies Museum of Art, Loretto, PA, and Pittsburgh
Center for the Arts, PA
1982 * Mixed Bag, The Alternative Museum, New York
1983 * Sophia’s House, in collaboration with Lynn Denton, Morris Gallery, Pennsylvania
Academy of the Fine Arts, Philadelphia
Artist/Critic, White Columns, New York
Nexus Gallery @ Atlantic Gallery, New York
Nexus Retrospective: 1976-1983, Philadelphia
1984 * Made in Philadelphia 6, Institute of Contemporary Art, Philadelphia
* Found Language, Franklin Furnace, New York
1986 Sculpture Invitational, Brooke Alexander Gallery, New York
* Momento Mori, Centro Cultural Arte Contemporáneo, Mexico City, Mexico
1987 * Standing Ground, The Contemporary Arts Center, Cincinnati, OH
Messages, Carlo Lamagna Gallery, New York
1988 Invitational, Bali Miller Gallery, New York
1989 Group Exhibition, American Fine Arts Gallery, New York
1990 Fragments, Parts and Wholes, White Columns, New York
Matter and Memory, Marta Cervera Gallery, New York
* Vertigo, Thaddaeus Ropac Gallery, Paris, France
Gender, Out of the Garden, Barbara Fendrick Gallery, New York
1991 Imelda’s Shoes, Richard Anderson Gallery, New York
Bain Douche, Simon Watson Gallery, New York
* Rope, Alcolea Gallery, Barcelona, Spain
* Vertigo Part II, Thaddaeus Ropac Gallery, Salzburg, Austria
* Social Studies, Allen Memorial Art Museum, Oberlin College, OH
* Physical Relief, The Bertha and Karl Leubsdorf Gallery at Hunter College, New York
Plaster at Last, New York Studio School of Drawing, Painting, and Sculpture, New York
Shooter’s Hill, AC Project Space, New York
1992 Lili Dujourie, Jeanne Silverthorne, Pia Stadtbaumer, Rachel Whiteread, Christine
Burgin Gallery, New York
New York Defrost, The Living Room(s), Amsterdam, Netherlands
* The Politics of Still Life, Real Art Ways and Trinity College, Hartford, CT: traveled to John Michael Kohler Arts Center, Sheboygan, WI
Love Gone Bad, Richard Anderson Gallery
* The Curio Shop, Thread Waxing Space
* A Marked Difference, Arti et Amicitiae, Amsterdam, Netherlands
1993 Daniel Devine, Alain Kirili, Jeanne Silverthorne, Stux Gallery, New York
* I am the Enunciator, Thread Waxing Space, New York
Underlay, 15 Renwick Street, New York
Jours Tranquilles à Clichy, Galerie Nathalie Obadia
Surface Tension, Michael Klein Gallery, New York
Kurswechsel, TransArt Exhibitions, Cologne, Germany
Angie Anakis, Daniel Devine, Alain Kirili, Jeanne Silverthorne, Jessica Stockholder, Franz
West, Stephane Steiner, Galerie Nathalie Obadia
Everyday Life, Kim Light Gallery, Los Angeles, CA
1994 Reveillons, Stux Gallery
Drama, Max Protetch Gallery, New York
For Appearance Sake, Horodner Romley Gallery, New York
Configura 2, Erfurt, Germany
Obliquely, Shoshana Wayne Gallery, Santa Monica, CA
* Laughter Ten Years After, curated by Jo Anna Isaak, Ezra and Cecile Zilkha Gallery,
Center for the Arts, Wesleyan University, Middletown, CT: traveled to Houghton House Gallery,
Hobart and William Smith College, Geneva, NY; Beaver College Art Gallery, Glenside, PA
Studio la Cittá, Verona, Italy (two person show with Alberto Garutti)
1997 * Metamorphosis, Galleria Claudia Gian Ferrari, Milan, Italy
Across Lines: Drawings by Contemporary Sculptors, Hofstra University, New York
Frankensteinian, Caren Golden Fine Art, New York
1997-1998 * Gothic, Institute of Contemporary Art, Boston, MA: traveled to the Portland Art Museum, OR
* Deep Storage, Haus der Kunst, Munich, Germany: traveled to Nationalgalerie, Berlin;
Kunstmuseum, Düsseldorf; P.S. 1 Contemporary Art Center, New York; Henry Art
Gallery, Seattle, WA
Technological Drift, Lawing Gallery, Houston, TX
1998 Rubber, Robert Miller Gallery, New York
* The Edward R. Broida Collection, Orlando Museum of Art, FL
A Pound of Flesh, Cynthia Broan Gallery, New York
1999 * Unprivileged Spaces, Borås Kommun Konstmuseet, Sweden
* Skin, Deste Foundation, Athens, Greece
Loaf, Baumgartner Gallery, New York
Description Without Place, Staff USA, New York
1999-2000 1999 Drawings, Alexander and Bonin, New York
2000 The Likeness of Being, DC Moore Gallery, New York
* Le Corps morcelé, Daniel et Florence Guerlain / Fondation d’art Contemporain,
Les Mesnuls, France
Of the Moment: Contemporary Art from the Permanent Collection, San Francisco
Museum of Modern Art, CA
* American Art Today: Fantasies & Curiosities, The Art Museum at Florida International
University, Miami
Photasm, Hunter College / Times Square Gallery, New York
2001 Locating Drawing, Lawing Gallery, Houston, TX
Galerie Nathalie Obadia
2001-2002 Celebrating 75 Years- Chain Reaction: Rube Goldberg and Contemporary Art” Installation, 072101: The Scream (passing through bile and butterflies, encountering
alarms, gas, twinges, fluctuations and surges) Williams College Art Museum,
Williamstown, MA: traveled to Tang Museum, Skidmore College, Saratoga Springs, NY
2002 Aquaria, Landesgalerie am Oberösterreichischen Landesmuseum, Linz, Austria
2002-2004 * H2O, Western Gallery, Western Washington University Bellingham: traveled
to Elaine L. Jacob Gallery, Wayne State University, Detroit, MI; Houghton
House Gallery, Hobart and William Smith Colleges, Geneva, New York; Danese Gallery
New York; Victoria H. Myhren Gallery, University of Denver, CO
2003 10 Anniversaire 1993-2003, New Works, Galerie Nathalie Obadia, Paris
2003-2004 Materials, Metaphors, Narratives: Work by Six Contemporary Artists, Albright-Knox Art
Gallery, Buffalo, NY
2004 Floorplay, The Brooklyn College of Art Gallery, NY
2005 Singular Expressions: A Sheldon Invitational, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln
2006 * Against the Grain: Contemporary Art from the Edward R. Broida Collection, The Museum of Modern
Art, New York
2007 * Humor’s Lines, Maier Museum of Art, Randolph-Macon Women’s College, Lynchburg, VA
* Small is Beautiful, Seomi & Tuus Gallery, Seoul, Korea
Small Bodies, McKee Gallery, New York
2008 Dead Center/Marginal Notes: Peter Downsbrough/Jeanne Silverthorne, Western Exhibitions
Gallery, Chicago, IL
2009 Ouverture, Moeller Fine Art, Berlin
OCTET, Pera Museum, Istanbul, Turkey
Artists and the Natural World, McKee Gallery
2010 Sculpture, Mckee Gallery
2011 Hive Culture: Captivated by the Honeybee, Glyndor Gallery, Wave Hill, Bronx, NY
Toward a Philosophy of the Everyday, Castle Gallery, The College of New Rochelle, NY
Burning, Bright: A Short History of the Light Bulb, The Pace Gallery, New York
2012 VIDEO<>OBJECT, Dorsky Gallery, Long Island City, NY
2013 * SKIN – an artistic atlas, Royal Hibernian Academy Charles Gallagher Gallery, Dublin, Ireland
* Its Surreal Thing: The Temptation of Objects, Sheldon Museum of Art, Loncoln, NE
2014 * Aspects of the Self: Portraits of Our Time, Center for the Arts, Virgina Tech, Blacksburg¬
Nature’s Knot, Luise Ross Gallery, New York

TEACHING POSITIONS

1975-1977 Lecturer, Teaching Assistant, Temple University, Philadelphia
1978-1988 Lecturer, Community College Of Philadelphia
1981-1984 Lecturer, Chestnut Hill College, PA
1982-1983 Lecturer, Rosemont College, PA
1988-1989 Lecturer, Stern College for Woman at Yeshiva University, New York
1988-present Lecturer, New York University, New York
1989-1993 Lecturer, Association of Independent Colleges of Art and Design
1993 Co-founder of Theoretical Studies in Art, sponsored by White Columns, New York
Lecturer, “Introduction to Feminist Theory”
1993-present Instructor, Foundation Sculpture, School of Visual Arts, New York
1995-1999 Instructor, Internationale Sommerakademie, Salzburg, Austria
2001-2008 Adjunct faculty, Graduate Fine Arts Program, Columbia University, New York

MUSEUM COLLECTIONS

Albright-Knox Art Gallery, Buffalo, NY
The Contemporary Museum, Honolulu, Hawaii
Denver Art Museum, CO
FNAC (Fonds National d’Art Contemporain), France
Leeum, Samsung Museum of Art, Seoul, Korea
The Museum of Modern Art, New York
The Museum of Fine Arts Houston, TX
Rhode Island School of Design Museum, Providence
San Francisco Museum of Modern Art, CA
Sheldon Museum of Art, University of Nebraska, Lincoln
Weatherspoon Art Museum, University of North Carolina, Greensboro

PANELS AND LECTURES

1983 Artist-Critic, New Museum of Contemporary Art, New York, NY
1987 The Case for Women in a Museum Environment, National Women’s Sculpture
Conference, Cincinnati, OH
1988 Sculpture Workshop, Center for Arts Criticism, St. Paul, MN
1989 The Sculptural Context, Moore College of Art and Design, Philadelphia, PA
1992 Ecstasy, Dooley Le Capelaine Gallery, New York
1999 Jeanne Silverthorne: The Studio Stripped Bare, Again, Artists on Art,
Whitney Museum of American Art at Philip Morris, New York
2005 Lecture Series, Parsons, The New School for Design, New York
2007 Comic Relief: Humor’s Edge in Contemporary Art, College Art Association, New York
2011 Jeanne Silverthorne: On Her Work, New York Studio School Fall Lecture Series, New York

WRITINGS AND RELATED WORKS BY JEANNE SILVERTHORNE

Contributor to Arts Exchange, 1977-1980.
Contributor to Arts and Art in America, 1979-1980.
Made in Philadelphia 7, catalogue essay for the Institute of Contemporary Art, Philadelphia, PA, 1979.
Contributor to Artforum, 1980-1986.
Contributor to Parkett Magazine, 1987-1992.
Walter de Maria, catalogue essay for Simon/Neuman Gallery, Stockholm, 1988.
Contributor to Artforum, 1989-1993.
Thomas Lawson, catalogue essay for The Third Eye Centre, Glasgow, Scotland, 1990.
“Vertigo,” Vertigo, edited by Christian Leigh, Thaddaeus Ropac Editions, Paris, 1991.
“Jeanne Silverthorne on Jonathan Demme’s Silence of the Lambs,” Artforum, March 1991.
Elaine Reichek, catalogue essay for Irish Museum of Modern Art, Dublin, 1993.
Sculptors on Sculpture: On the Studio’s Ruins, Sculpture, November-December 1994.
“What is in a Title?,” catalogue essay for, Laughter Ten Years After, Hobart and William Smith College
Press, 1995.

REVIEWS, ARTICLES, AND BOOKS

Sarah McFadden, “Report from Philadelphia,” Art in America, May-June 1979.
Anne Butera, “New Talent Shows – A Time of Farewell,” Philadelphia Bulletin, June 10, 1979.
Judith Stein, WXPN Review, April 12, 1982.
Edward J. Sozanski, “Art: More Talent at the ICA,” The Philadelphia Inquirer, March 13, 1984.
Tom Gartside, The New Art Examiner, June 1984.
Ellen Handy, Review, Arts, February 1988.
Kim Levin, “Choices,” The Village Voice, August 1, 1989.
Robert Morgan, Review, Tema Celeste, April-June 1990.
Roberta Smith, Review, The New York Times, June 15, 1990.
Lisa Liebman, Review, The New Yorker, June 25, 1990.
Saul Ostrow, “Interview with Jeanne Silverthorne,” Bomb, Summer 1990.
Kirby Gookin, Review, Artforum, October 1990.
Christian Leigh, Review, Contemporanea, November 1990.
Lisa Liebman, Review, The New Yorker, November 12, 1990.
Ingrid Schaffner, Review, Sculpture, December 1990.
Kim Levin, “Choices,” The Village Voice, December 17, 1991.
Brooks Adams, Review, Art in America, January 1991.
Robert Mahoney, Review, Contemporanea, January 1991.
Vivien Raynor, “Politics of Blame on View in Hartford,” The New York Times, February 16, 1992.
Nancy Princenthal, “Artist’s Book Beat,” Print Collector’s Newsletter, March-April 1992.
Alain Kirili, “Who’s Afraid of Abstract Modeling?,” Tema Celeste, April-May 1992.
Roberta Smith, Review, The New York Times, July 3, 1992.
Helen A. Harrison, Review, The New York Times, November 14, 1993.
Holland Cotter, Review, The New York Times, September 16, 1994.
Kim Levin, “Choices,” The Village Voice, September 20, 1994.
Nancy Princenthal, “Jeanne Silverthorne at David McKee,” Art in America, October 1994.
Jeanne Seigel, “Jeanne Silverthorne,” Art Today, Athens, Greece, November-December 1994.
Ruth Bass, “Jeanne Silverthorne at McKee,” ARTnews, January 1995.
George Melrod, Review, Sculpture, January-February 1995.
Carole Boulbes, “Jeanne Silverthorne,” Art Press, February 1995.
Kenneth Baker, “Sculptor’s Work Space Becomes Belly of Art,” San Francisco Chronicle, May 11, 1995.
Jurgen Hohmeyer, “Sklave in der Kiste,” Der Spiegel, September 1995.
Raphael Rubenstein, “Shapes of Things to Come,” Art in America, November 1995.
Rossano Massaccesi, Editor, “Verona, Alberto Garutti, Jeanne Silverthorne,” Art Leader,
November-December 1995.
Luigi Meneghelli, “Un passato che pulsa,” Cronaca Delle Arti, December 1995.
Sabina Bertini, “Jeanne Silverthorne,” Tema Celeste – Arte contemporanea, Spring 1996.
Verona Notizie, “Garutti – Silverthorne, Jessica Stockholder,” Flash Art, February-March 1996.
Jo Anna Isaak, Feminism and Contemporary Art: The Revolutionary Power of Women’s Laughter,
New York, Routledge, 1996.
Edward J. Sozanski, “Art in her view: An empty sculpture studio,” The Philadelphia Inquirer,
February 23, 1996.
Robin Rice, “Where the Art Isn’t,” Philadelphia City Paper, March 1-8, 1996.
Gerard Brown, “Sound Bite A-Go-Go,” Philadelphia Weekly, March 6, 1996.
Bill Arning, “Two Serious Ladies,” The Village Voice, April 9, 1996.
Susan Canning, “Jeanne Silverthorne,” Sculpture, October 1996.
Eileen Neff, “Jeanne Silverthorne,” Artforum, October 1996.
Kay Whitney, “Love and Scarcity: The Anonymous is a Woman Awards,” New Art Examiner,
December 1996-January 1997.
Kim Levin, “Choices,” The Village Voice, March 4, 1997.
Michael Kimmelman, “Jeanne Silverthorne,” The New York Times, March 7, 1997.
Leslie Camhi, “Rubber Maid,” The Village Voice, March 25, 1997.
Raphael Rubinstein, “The Powers of Magnification,” Art In America, June 1997.
Deborah Singer, “Jeanne Silverthorne,” New Art Examiner, June 1997.
Judith H. Dobrzynski, “Anonymous Gifts for Art, So Women Creating It Aren’t,”
The New York Times, October 12, 1997.
Grace Glueck, “The Antithesis of Minimalism’s Cool Geometry: Fleshy Rubber,” The New York
Times, Friday, February 13, 1998.
Dominique Nahas, “Rubber,” Review, February 15, 1998.
Carol Kino, “Rubber,” Time Out – New York, February 26-March 5, 1998.
Peter Frank, “Art Picks of the Week: Mowry Baden, Jeanne Silverthorne,” LA Weekly,
March 13-19, 1998.
Carol Prisant, “If These Walls Could Talk,” New York, April 27, 1998.
Tom Flynn, The Body in Three Dimensions, Harry N. Abrams, 1998.
Laurie Collier Hillstrom and Kevin Hillstrom, eds., Contemporary Women Artists,
Detroit, St. James Press, 1999.
“Jeanne Silverthorne,” The New York Times, Arts & Leisure, Sunday, July 25, 1999.
Alex Neel, “Critic’s Picks,” Time Out New York, July 29-August 5, 1999.
Holland Cotter, “Jeanne Silverthorne ‘The Studio Stripped Bare, Again,” The New York Times,
Art in Review, Friday, August 13, 1999.
Kim Levin, “Wired,” The Village Voice, August 17, 1999.
Bill Arning, “Jeanne Silverthorne: The Studio Stripped Bare, Again,” Time Out New York,
September 2-9, 1999.
Wesley Gibson, “Jeanne Silverthorne,” New Art Examiner, December 1999-January 2000.
David Frankel, “Jeanne Silverthorne, Whitney Museum of American Art at Philip Morris,”
Artforum, January 2000.
Jonathan Goodman, “Exhibitions, The Studio Stripped Bare, Again: Jeanne Silverthorne,”
Contemporary Visual Arts, Issue 26.
“The Likeness of Being,” ARTnewsroom.com, Winter 2000.
Rachel Youens, “The Likeness of Being, Contemporary Self-Portraits by 60 Women,” NY Arts,
Vol. 5, No. 1, January 2000.
Grace Glueck, “The Likeness of Being: Contemporary Self-Portraits by 60 Women,” The New York Times,
Friday, January 21, 2000.
Joyce Korotkin, “The Likeness of Being,” Art Review, The New York Art World, February 2000.
Joel Silverstein, “Women Painters: Gender Identity and the Integration of Paint into Feminism,”
Review, February 1, 2000.
Grace Glueck, “Jeanne Silverthorne,” Art in Review, The New York Times, Friday, May 12, 2000.
Jeanne Silverthorne, Chain #7 memoir / anti-memoir, Small Press Distribution, Berkeley, CA, 2000.
Giorgio Bonomi, “Reality and Fiction in the Metaphysical Subjectivity of Jeanne Silverthorne,” Titolo, translated
by Jane Oliensis, Anno XI, Fall 2000.
Robert Taplin, “Jeanne Silverthorne at McKee,” Art in America, February 2001.
Hilarie M. Sheets, “The Mod Bod,” ARTnews, June 2001.
Richard Houdek, “Complex contraptions of Rube Goldberg at WCMA,” The Berkshire Eagle, This Weekend,
Friday, July 20, 2001.
Ethan Kelley, “Mechanical, satirical,” North Adams Transcript, Saturday, July 21, 2001.
Cate McQuaid, “Homage paid to Hopkins, Goldberg,” Boston Sunday Globe, August 26, 2001.
Chain Reaction, exhibition catalogue, Williams College Museum of Art, Williamstown and The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, D.A.P./ Distributed Art Publishers, New
York, NY, 2001.
Sarah Douglas, “Jeanne Silverthorne, Shoshana Wayne Gallery, Santa Monica,” The Art Newspaper, What’s
On, No. 122, February 2002.
Holly Myers, “Bas-Relief Abstractions Give New Form to Human Emotions,” Los Angeles Times, Calendar
Weekend, Thursday, February 28, 2002.
Kenneth Baker, “Silverthorne pipes meaning into existential sculptures,” San Francisco Chronicle, Saturday,
September 14, 2002.
Kie Relyea, “Source of Life,” Bellingham Herald, October 26, 2002.
Kim Levin, “Jeanne Silverthorne,” The Village Voice, Art, March 5-11, 2003.
Ken Johnson, “Jeanne Silverthorne,” The New York Times, Art in Review, Friday, May 23, 2003.
Edith Newhall, “Jeanne Silverthorne,” New York, Art, Galleries, 57th Street Area, May 26, 2003.
Ken Johnson, “Jeanne Silverthorne,” The New York Times, Art in Review, Friday, May 30, 2003.
“Jeanne Silverthorne,” Goings On About Town, Galleries-Uptown, The New Yorker, June 2, 2003.
Edith Newhall, “Art; Galleries, 57th Street Area,” New York, June 9, 2003.
Cynnie Gaasch, “Exhibits of contemporary and regional artists abound this fall,” ArtVoice, September 25, 2003.
Richard Huntington, “Unoriginal Works,” Buffalo News, Gusto, October 3, 2003.
Alex Miokovic and Heidi Nickisher, “Narrating the Visceral Object,” Rochester City News, Fall 2003.
Cynnie Gaasch, “A Fresh Spirit,” ArtVoice, November 13-19, 2003.
Elizabeth Licata, “Well Worked Materials,” Buffalo Spree, Spree Arts: On View, November 2003.
The Sculptural Idea, James J. Kelly, Fourth Edition, Waveland Press, Inc., Long Grove, Illinois, 2004.
Jeanne Siegel, “Eva Hesse’s Influence Today? Conversations with Three Contemporary Artists”, art journal, Summer
2004, Volume 63, Number 2.
Irene von Hardenberg, Künstlerinnen: Arbeitbesche in Berlin, Moskau, New York, 2005.
Eric Gelber, “Small Bodies,” The New York Sun, Arts & Letters: Art in Brief, April 26, 2007.
David Cohen, “Skipping Through Sculptural Styles,” The New York Sun, Arts & Letters: Gallery Going, May 8, 2008.
Michael Killeen, “No-Nukes Artist, Warrior Maidens, Rubber Fruit: 57th Street Art,” Bloomberg.com,
[http://www.bloomberg.com/apps/news?pid=20601093&sid=avSf8Jaxk5Tg&refer=home], published and accessed
June 5, 2008.
Alfred Mac Adam, “Jeanne Silverthorne at McKee,” ARTnews, Summer 2008.
David Frankel, “Jeanne Silverthorne at McKee,” Artforum, September 2008.
Nancy Princenthal, “Jeanne Silverthorne at McKee,” Art in America, October 2008.
Sculpture Now, Judy Collins, Phaidon Press, 2008.
Sharon Mizota, “Art review: Jeanne Silverthorne at Shoshana Wayne Gallery,” Art, The Los Angeles Times, November
6, 2009.
Jan Riley, “New Life in the Ruins of the Artist’s Studio: Jeanne Silverthorne,” Sculpture, June 2011.
Paul Carey Kent, “Ten New York Exhibitions Chosen By Paul Carey Kent,” ArtLyst, Mar. 25 2012, [website] http://www.artlyst.com/articles/ten-new-york-exhibitions-chosen-by-paul-carey-kent [Acessed March 27, 2012]
Daniel Wiener, “A Letter to Raphael Rubinstein, from Daniel Wiener,” The Brooklyn Rail, April 2012.