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HARVEY QUAYTMAN

1937 Born in Far Rockaway, New York
1955-1957 Studies at Syracuse University, New York
1959 Receives degree from Boston Museum School and Tufts University, BFA
1972 Receives CAPS Grant, New York
1975 Receives CAPS Grant, New York
1979 Receives Guggenheim Fellowship
1983 Receives Artist’s Fellowship from the National Endowment for the Arts
1985 Receives Guggenheim Fellowship
1993 Member of the National Academy of Design
1994 The Elizabeth Foundation Prize for Painting, New York
1997 Receives Academy Award in Art from the American Academy of Arts
and Letters, New York
2002 April 8 dies in New York City

SOLO EXHIBITIONS

1962 AIA Gallery, London
1964 Ward-Nasse Gallery, Boston, MA
1966 Royal Marks Gallery, New York
1967 Ohio State University, Columbus
Contemporary Arts Museum, Houston, TX
1969 The Jewish Museum, New York
Paula Cooper Gallery, New York
1971 Paula Cooper Gallery
University of Rochester, New York
Onnasch Galerie, Cologne, Germany
1972 * Mikro Galerie, Berlin, Germany
1973 * Contemporary Arts Museum, Houston
Galerie Ostergren, Malmö, Sweden
Henri 2, Washington, D.C.
1974 Cunningham Ward Gallery, New York
1975 David McKee Gallery, New York
1976 Nina Nielsen Gallery, Boston
1977 David McKee Gallery
Charles Casat Gallery, La Jolla, CA
1978 David McKee Gallery
Nina Nielsen Gallery
1980 David McKee Gallery
Nielsen Gallery
1981 Galerie Arnesen, Copenhagen, Denmark
1982 David McKee Gallery
Galerie Nordenhake, Malmö
Galerie Engstrom, Stockholm, Sweden
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA

* catalog

1983 Nielsen Gallery
Storrer Galerie, Zurich, Switzerland
1984 Galleria Katariina, Helsinki, Finland
David McKee Gallery
1986 David McKee Gallery
Galerie Nordenhake
Nielsen Gallery
1987 David McKee Gallery
Galerie Nordenhake, Stockholm
Dolan/Maxwell Gallery, Philadelphia, PA
1988 Hoffman/Borman Gallery, Los Angeles, CA
* David McKee Gallery
1989 Nielsen Gallery
1990 * Galerie Nordenhake
Persons & Lindell Gallery, Helsinki
Gilbert Brownstone et Cie, Paris, France
Tony Oliver Gallery, Melbourne, Australia
1991 Art Gallery of New South Wales, Sydney, Australia
McKee Gallery
1993 McKee Gallery
Nielsen Gallery
1994 Haines Gallery, San Francisco
1995 Nielsen Gallery
* Room, New York
Haines Gallery, San Francisco
1996 Galerie Nordenhake
* Henie – Onstad Kunstsenter, Oslo, Norway
Artists Association Trondheim, Norway
Galleri Riis, Oslo
McKee Gallery
1997 Institute of Contemporary Art at Maine College of Art, Portland
1998 McKee Gallery
* Bentley Gallery, Scottsdale, AZ
1999 P.S. 1 Contemporary Art Center, Long Island City, NY
2000 Nielsen Gallery
* McKee Gallery
2002 Nielsen Gallery
2003 McKee Gallery
2005 McKee Gallery
2007 McKee Gallery
2008 Nielsen Gallery
2011 * McKee Gallery
2014 McKee Gallery

SELECTED GROUP EXHIBITIONS

1962 * The Redfern Gallery, London, England
1964 DeCordova Museum, Lincoln, MA
1965 * Painting Without a Brush, Institute of Contemporary Art, Boston, MA
1967 * University of Illinois Biennial, Krannert Art Museum, Urbana-Champaign, IL
1968 Group Show, Paula Cooper Gallery, New York
* Small Paintings for Museum Collections, American Federation of Arts, New York
(traveling exhibition 1969)

1969 * Annual Exhibition of Painting, Whitney Museum of American Art, New York
Parker Street 470, Boston
Group Show, Paula Cooper Gallery
Young Painters, School of Visual Arts, New York (selected by Willam Agee)
* Painting and Sculpture Today, Indianapolis Museum of Art, IN
* L’Art Vivant aux Etats Unis, Fondation Maeght, Saint-Paul, France (compiled by Dore Ashton)
Drawings and Watercolors by Young Americans, Akron Art Institute, OH
* For Your Collection, Rhode Island School of Design, Providence
* Works on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro
1970 Group Show, Paula Cooper Gallery
1971 * The Structure of Color, Whitney Museum of American Art
Annual Invitational, Kent State University, OH
Group Show, Paula Cooper Gallery
1972 * Annual Exhibition of Painting, Whitney Museum of American Art
* Drawings by New York Artists, Utah Museum of Fine Arts, Salt Lake City (compiled by Dore Ashton)
Annual, Society for Contemporary Art, Art Institute of Chicago, IL
* Painting and Sculpture Today, Indianapolis Museum of Art
1973 * Young American Artists, Gentofte Radhus, Charlottenlund, Denmark
(traveling exhibition)
* Biennial, Whitney Museum of American Art
4 Painters, Poindexter Gallery, New York
Contemporary American Drawings, Phyllis Kind Gallery, Chicago
* Acquisitions 1972-73, Power Gallery of Contemporary Art, University of Sydney, Australia
* Three New York Artists, Corcoran Gallery of Art, Washington, D.C.
1974 Curator’s Choice, Baltimore Museum of Art, MD
Recent Acquisitions, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
New York Artists, Albright-Knox Art Gallery, Buffalo, NY
* Contemporary Painters, Institute of Contemporary Art, Boston (selected by Dore Ashton)
The New Image, High Museum of Art, Atlanta, GA
1975 * 14 Abstract Painters, Frederick S. Wight Art Gallery, University of California, Los Angeles, CA
Contemporary Drawings for the Young Collector, Nielsen Gallery, Boston
1976 Drawing Today in New York, Rice University, Houston (traveling exhibition)
Contemporary Art in Atlanta Collections, High Museum of Art
1977 A Painting Show, P.S.1, Institute for Arts and Urban
Resources, Long Island City, NY
New in the Seventies, Archer M. Huntington Galleries, The University of Texas, Austin
1978 Constructs, 644 Broadway, New York
Recent Acquisitions in the Print Department, The Museum of Modern Art,
New York
1979 The Implicit Image: Abstract Painting in the 70’s, Nielsen Gallery
Contemporary American Abstractionists, University Art Gallery, Rutgers University, New Brunswick, NJ
Künstler zeigen Künstler, Galerie Schlegl, Zürich, Switzerland
* Constructivism and the Geometric Tradition: Collection of the McCrory Corporation, Albright-Knox Art Gallery (traveling exhibition)
1980 L’Amerique aux Independants 1944-1980, Grand Palais, Paris
1981 Painted Structures, Jeffrey Fuller Fine Art, Philadelphia, PA
1981 * Three American Painters, Axiom Gallery, Melbourne, Australia

1982 On the Surface, The Israel Museum, Jerusalem
* Constructivism in the Geometric Tradition, Denver Art Museum
(traveling exhibition)
Works on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro
1983 Selected Drawings, Jersey City Museum, NJ
Opening Group Show, Galerie Norballe, Copenhagen, Denmark
Eight Painters, Carpenter Center for Visual Arts, Harvard University,
Cambridge, MA
1984 * SAPPORO Triennial, Hokkaido Museum of Modern Art, Japan
Two-Person Show, Galerie Grafiart, Turku, Finland
Location: A 20-Year Anniversary Exhibition, Nielsen Gallery
* Small Works / Recent Painting, Williams Center for the Arts, Lafayette College,
Easton, PA / Baker Center for the Arts, Muhlenberg College, Allentown, PA
1985 * Abstract Painting as Surface and Object, Hillwood Art Gallery, C.W. Post Center, Long Island University, Greenvale, NY
* Charcoal Drawings: 1880-1985, Janie C. Lee Gallery, Houston
Abstraction/Issues, 3 gallery show at Tibor de Nagy, Oscarsson Hood, Sherry French, NY
Summer Group Exhibition, Hill Gallery, Birmingham, MI
* A Decade of Visual Arts at Princeton: Faculty 1975-1985, Princeton University Art Museum, NJ
* Three Generations, Jay Gorney Modern Art, New York
This Way/This Way: Geometric Abstract Vocabularies, Thorpe Intermedia Gallery, Sparkill, NY
1986 * Spirit Tracks: Big Abstract Drawing, Pratt Manhattan Center Gallery, New York; Pratt Institute Gallery, Brooklyn, NY
Structure/Abstraction, Hill Gallery
Courtesy David McKee, Pamela Auchincloss Gallery, Santa Barbara, CA
1987 * Corcoran Biennial, Corcoran Gallery of Art
Abstract Painting, Asher/Faure Gallery, Los Angeles
* Generations of Geometry: Abstract Painting in America since 1980, Whitney Museum of American Art at the Equitable Center, New York
* Harvey Quaytman & Sean Scully, Ateneum Art Museum, Helsinki
* Art in the Residence Tunis, Tunisia
Jake Berthot, Ross Bleckner, Harvey Quaytman, Joan Snyder: Work from the Seventies, Christine Burgin Gallery, New York
A New Abstraction, New City, Venice, CA
Rigor, curated by Stephen Westfall, John Good Gallery, NY
1987-1988 Logical Foundations, Pfizer Inc., New York (curated by Art Advisory Service of The Museum of Modern Art)
1988 * Formal, Dart Gallery, Chicago
1989 * A Debate on Abstraction: The Persistence of Painting, The Bertha & Karl Leubsdorf Art Gallery, Hunter College, New York (curated by Vincent Longo and Laura Sue Phillips)
Harvey Quaytman, Han Schuil, Alan Uglow, Germans Van Eck Gallery,
New York
* 1989 Ljubljana Bienale 18, International Center of Graphic Art, Ljubljana, Jugoslavija
50 Years of Collecting: Art at IBM, IBM Gallery of Science and Art, New York
1990 * The Image of Abstract Painting in the 80’s, Rose Art Museum, Brandeis University, Waltham, MA
Jake Berthot, Harvey Quaytman, and John Walker, Nielsen Gallery, Boston
* Mind and Matter: New American Abstractions, Chosunilbo, Seoul, Korea
(traveling exhibition)

1991 * Physicality: An Exhibition on Color Dimensionality in Painting, Hunter College Art Galleries, (traveling exhibition)
* Cruciformed: Images of the Cross Since 1980, Cleveland Center for Contemporary Art, OH (traveling exhibition)
1992 Slow Art: Painting in New York Now, The Institute for Contemporary Art, P.S. 1, Long Island City, NY
Hill Gallery
Backroom Show, Tony Oliver Gallery, Sydney, Australia
Drawings Only, Galerie Denise Cadé, New York
* “Not For Sale,” Loans from the Private Collections of New York Art Dealers,
Tel Aviv Museum of Art, Israel
1993 * 25th Anniversary Show, Henie – Onstad Center, Oslo, Norway
1994 The Painting Center, New York
Works Selected by Dore Ashton, Bill Maynes Contemporary Art, New York
Significant Artists Works on Paper, Haines Gallery, San Francisco, CA
1995 Blue, Stephen Wirtz Gallery, San Francisco
Works on Paper, Gaugh/Langford Gallery, Auckland, New Zealand
Works on Paper, Part 1, Art in Construction, NY
1996 Formal Abstraction/New York, An exhibition of small works by New York Artists, Ruth Bachofner Gallery, Santa Monica, CA
National Drawing Invitational, The Arkansas Arts Center
Working on Paper: Berthot, Jensen, Lees, Quaytman, and Walker, Nielsen Gallery
48th Annual American Academy Purchase Exhibition, American Academy of Arts and Letters, New York
1997 Queens Artists: Highlights of the 20th Century, Queens Museum of Art,
New York
1998 * The Edward R. Broida Collection, Orlando Museum of Art, FL
1999 * Then and Now: Nielsen Gallery 35th Anniversary Exhibition, Nielsen Gallery
Red Square, Smack Mellon Studios, Brooklyn, NY
2000 A Decade of Collecting: Recent Acquisitions of Prints and Drawings from 1940- 2000, Arthur M. Sackler Museum, Harvard University, Cambridge, MA
* Contemporary American Drawings from a Private New York Collection, Pollock Gallery, Southern Methodist University, Dallas, TX
Minimalism Then and Now, Berkeley Art Museum, CA
2001 * Abstraction and Immanence, Hunter College/Times Square Gallery, New York
Group Show, Storrer Galerie, Zurich
2003 New Prints, McKee Gallery, New York
2004 March Heat, Nielsen Gallery,
The Art of the Definite, DC Moore Gallery, New York
2006 * Against the Grain: Contemporary Art from the Edward R. Broida Collection, The Museum of Modern Art
2009 Group Show, Storrer Galerie
2014 The Shaped Canvas, Revisited, Luxembourg & Dayan, New York

PUBLIC COLLECTIONS

Allen Memorial Art Museum, Oberlin College, OH
Arkansas Arts Center, Little Rock
Art Museum of South Texas, Corpus Christi
Boston Museum of Fine Arts, MA
Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA
Christian Science Church, Boston
Corcoran Gallery of Art, Washington, D.C.
Delaware Art Museum, Wilmington
Denver Museum of Art, CO
Emory University, Atlanta, GA
Fogg Art Museum, Harvard University, Cambridge, MA
Henie – Onstad Art Center, Oslo, Norway
High Art Museum, Atlanta, GA
Hopkins Art Center, Dartmouth College, Hanover, NH
Houston Museum of Fine Arts, TX
The Israel Museum, Jerusalem
Johnson Museum of Art, Cornell University, Ithaca, NY
Kent State University, OH
The Louisiana Museum of Modern Art, Humlebæk, Denmark
Malmö Konsthall, Sweden
Maryland Institute, College of Art, Baltimore
Microsoft Art Collection, Redmond, WA
Massachusetts Institute of Technology, Cambridge
Middlebury College Museum of Art, VT
Museum of Contemporary Art Australia, Sydney
Museum of Contemporary Art, Helsinki, Finland
The Museum of Modern Art, New York
National Gallery of Art, Wellington, New Zealand
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne, Australia
Neuberger Museum of Art, Purchase, NY
New York University, New York
Pasadena Museum of California Art
Phillips Collection, Washington, D.C.
Pori Art Museum, Finland
Queensland Art Gallery, Brisbane, Australia
Rose Art Museum, Brandeis University, Waltham, MA
Rutgers State University, New Brunswick, NJ
Tate Gallery, London, England
Tel Aviv Museum of Art, Israel
University of Massachusetts, Amherst
University of Minnesota, Duluth
Virginia Museum of Fine Arts, Richmond
Whitney Museum of American Art, New York
Winthrop House, Harvard University, Cambridge, MA
Worcester Art Museum, MA
Wright State University Art Museum, Dayton, OH
Yale University Art Gallery, New Haven, CT

SELECTED REVIEWS AND PUBLICATIONS

Philippe de Montebello, “Wings of Black,” The Museum of Fine Arts, Houston Bulletin,
January 1971.
Ward Jackson, Paul Katz, Roger Peskin, “Harvey Quaytman, George Kuehn through March 11,” Art Now : New York Gallery Guide, March 1971.
Peter Schjeldahl, “Harvey Quaytman,” New York Times, March 7, 1971.
Susan L. Butler, “Quaytman Show at Museum Is Strong Pro-Painting,” Houston Chronicle, October 24, 1973.
Dore Ashton, Harvey Quaytman: Recent Paintings, Contemporary Arts Museum, Houston, TX, 1973.
Gerald Nordland, Fourteen Abstract Painters, Frederick S. Wight Art Gallery, University of California at Los Angeles, 1975.
Noel Frackman, “Harvey Quaytman,” ARTS, May 1975.
April Kingsley, “Harvey Quaytman,” Art in America, September-October 1975.
Vivien Raynor, “Harvey Quaytman,” The New York Times, February 3, 1978.
Jeff Perrone, “Harvey Quaytman,” ARTFORUM, April 1978.
Herdis Bull Teilman, “Harvey Quaytman’s ‘Slow Sound and Light Show BP,’” Carnegie Magazine,
January 1979.
Victoria Donohoe, “Art,” Philadelphia Inquirer, May 9, 1980.
Valentine Tatransky, “Harvey Quaytman,” Flash Art, Summer 1980.
Edgar Buonagurio, “Harvey Quaytman,” ARTS, September 1980.
Carter Ratcliff, “Harvey Quaytman at David McKee,” Art in America, October 1980.
Memory Holloway, “Three American Painters,” Axiom Gallery exhibition brochure, September-October 1981.
W.Z., “Quaytman at David McKee,” Art Gallery Scene, October 30, 1982.
Dore Ashton, American Art Since 1945, Oxford University Press, New York, 1982.
Stephen Westfall, “Harvey Quaytman,” Arts Magazine, December 1982.
Bill Zimmer, “Harvey Quaytman,” Avenue, December-January 1984.
Helen A. Harrison, “Treating the Canvas as an Object in Its Own Right,” The New York Times, March 3, 1985.
Stephen Westfall, “Harvey Quaytman at David McKee,” Art in America, April 1985.
Steven Henry Madoff, “Plain (or Plane) Absence: New Paintings by Harvey Quaytman,” Arts Magazine, April 1985.
Helen A. Harrison, “Treating the Canvas as an Object in Its Own Right,” The New York Times, March 3, 1985.
Steven Henry Madoff, “The Return of Abstraction,” ARTnews, January 1986.
Vivien Raynor, “Harvey Quaytman,” The New York Times, January 17, 1986.
John Yau, “Harvey Quaytman,” ARTFORUM, April 1986.
Phyllis Koenig, “Harvey Quaytman: 17 Years of Painting,” Art New England, Summer 1986.
Mari Rantanen and Kimmo Sarje, “From Paintings to Pictures,” Sean Scully & Harvey Quaytman,
Ateneum, Helsinki, 1987.
Ned Rifkin, 40th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art exhibition catalogue, Washington, D.C., 1987.
Brigitta Rubin, “Shake Hands With the Viewer,” Dagens Nyheter, February 14, 1987.
Carl Little, “Harvey Quaytman at David McKee,” Art in America, April 1987.
John Loughery, “Harvey Quaytman,” Arts Magazine, April 1987.
Mari Rantanten, “The Time of Puritanism is Over,” Taedi Arts, April 1987.
Ken Sofer, “Harvey Quaytman,” ARTnews, April 1987.
Paul Richard, “Painting in Past Tints,” The Washington Post, April 11, 1987.
Kimmo Sarje, “From Paintings to Pictures: Harvey Quaytman’s interview in his studio in New York,” April 22, 1987.
Margaret R. Lazzari, “The Erosion of Abstraction,” ArtWeek, May 9, 1987.
Michael Brenson, “True Believers Who Keep the Flame of Painting,” The New York Times, June 7, 1987.
Jane Addams Allen, “The Battle of the Biennials,” The World and I, July 1987.
David Carrier, “Corcoran Gallery 40th Biennial,” The Burlington Magazine, July 1987.
Steven Henry Madoff, “An Inevitable Gathering,” ARTnews, September 1987.
John Loughery, “Affirming Abstraction: The Corcoran Biennial,” Arts Magazine, September 1987.
Charles Hagen, “40th Biennial Exhibition of Contemporary American Painting,” ARTFORUM,
October 1987.
Edward J. Sozanski, “Quaytman lends romantic touch to the geometric,” The Philadelphia Inquirer, December 3, 1987.
Peter Clothier, “Harvey Quaytman,” ARTnews, May 1988.
Charles Hagen, “Harvey Quaytman,” ARTFORUM, December 1988.
Ellen Handy, “Harvey Quaytman,” Arts Magazine, January 1989.
Gary Catalano, “Problem of lines by no means straightforward for artist,” Melbourne Age,
March 1990.
Marika Wachtmeister, “Harvey Quaytman,” Femina, (Finland) March 3, 1990.
John Etra, “Family Ties,” ARTnews, May 1991.
Elwyn Lynn, “There’s life after Mondrian with a New York hero,” The Australian, June 12,1991.
Steven LItt, “Using or Abusing a powerful symbol?,” The Plain Dealer, September 8, 1991.
Dorothy Shinn, “Exhibit explores symbols of cross,” The Beacon Journal, September 15, 1991.
Ellen G. Landau, “Cruciformed,” ARTFORUM, December 1991.
Ellen Handy, “New York Reviews,” Arts Magazine, January 1992.
Ruth Bass, “Harvey Quaytman,” ARTnews, February 1992.
Walter Thompson, “Harvey Quaytman at McKee,” Art in America, March 1992.
Hovey Brock, “Harvey Quaytman at McKee,” ARTnews, May 1993.
Kenneth Baker, “Quaytman at Haines,” San Francisco Chronicle, January 13, 1994.
Kenneth Baker, “Harvey Quaytman,” ARTnews, Summer 1994.
Kenneth Baker, “Harvey Quaytman,” ARTnews, January 1996.
Peter Serck, “Nestor – utenfor trendene,” Klassekampen, (Norway) January 1996.
Janet Koplos, “Harvey Quaytman at ROOM,” Art in America, Februaruy 1996.
Steve Mumford, “Jake Berthot and Harvey Quaytman – McKee Gallery,” Review, September 15, 1996.
Judd Tully, “Interview with Harvey Quaytman,” Institute of Contemporary Art at Maine College of Art exhibition brochure, August 1997.
Ken Johnson, “Harvey Quaytman,” The New York Times, February 20, 1998.
“All in the Family,” ARTnews, February 1998.
“Interview with the Artist,” Bentley Gallery exhibition brochure, March 3, 1998.
Mark Roskill, “Harvey Quaytman’s Ink Drawings, 1993-96,” Drawing, Vol. XIX, No. 3, Winter-Spring 1998.
Constance Lewallen, “Minimalism Then and Now,” Look The Quarterly Magazine of the UC Berkeley Art Museum and Pacific Film Archive, Vol. 1, No. 4, Fall 2000.
Mario Naves, “Fear of Formless Art; Quaytman’s Cure: A Cross,” The New York Observer,
September 25, 2000.
Ann Landi, “Harvey Quaytman,” ARTnews, New York Reviews, October 2000.
Deborah Everett, “Harvey Quaytman – New Paintings,” NY Arts, Review, Vol. 5, No. 10,
October 2000.
Vincent Longo and Laura Sue Phillips, Abstraction and Immanence, Hunter College/Times Square Gallery, New York, January 2001.
Ken Johnson, “Abstraction and Immanence,” The New York Times, Review, March 23, 2001
“Harvey Quaytman,” GalleryGuide.org: Artist Portfolio, [web page]; http://www.galleryguide.org/
ArtistPortfolios/mckee/quaytman/quaytman.asp. [No longer online].
Ken Johnson, “Harvey Quaytman, 64, Painter Known for Geometric Works,” The New York Times, Obituaries, April 15, 2002.
Stephanie Cash and David Ebony, ”Obituaries, Harvey Quaytman,” Art in America, June 2002.
Andrea Crawford, “A Minimalist Master,” ARTnews, June 2002.
“Harvey Quaytman,” Nielsen Gallery exhibition brochure, September 14-October 19, 2002.
“Four Decades of Paintings by Harvey Quaytman to Open at Nielsen on September 14,” Nielsen Gallery News, Volume 6, No.1, September 2002.
“Harvey Quaytman: a tribute to the man and his work, Nielsen Gallery, Boston,” The Art Newspaper, No.129, October 2002.
Karen Rosenberg, “The Week, Art, Solo Galleries, Harvey Quaytman,” New York Magazine, September 22 & 29, 2003.
David Cohen, “Gallery Going,” The New York Sun, Arts & Letters, October 2, 2003.
Mario Naves, “Calm, Stately Cruciform Shapes Excite Respect, Not Enthusiasm,” The New York Observer, October 13, 2003.
Curt Barnes, “Harvey Quaytman – A Tribute,” New York Art World, [web page]; http://www.newyorkartworld.com/reviews-nyaw/rev-quaytman-barnes.html
[Accessed February 21, 2015].
Donald Goddard, “Harvey Quaytman: A Survey of Paintings and Drawings 1969-1998,” New York Art World, [web page]; http://www.newyorkartworld.com/reviews/quaytman.html
[Accessed February 21, 2015].
Hilarie M. Sheets, “Harvey Quaytman,” ARTnews, January 2004.
Lilly Wei, “Quaytman’s Crossing,” Art in America, March 2004.
Michael Klein, “Comments on Collecting Drawings,” Collecting Drawings Today, Panel Discussion brochure, Microsoft Art Collection, Seattle 2004.
Michael Brennan, “Harvey Quaytman,” The Brooklyn Rail, April 2005.
Mario Naves, “Quaytman’s Colors,” The New York Observer, Arts & Entertainment, April 19, 2005.
J.G., “Harvey Quaytman: The Rust Paintings,” The New York Sun, Arts & Letters, June 14, 2007.
Constance Wyndham, “Harvey Quaytman,” ARTnews, Summer 2007.
Robert C. Morgan, “Hard-Edgeness in American Abstract Painting,” The Brooklyn Rail, March 2011.
Peter Frank, “Haiku Reviews: Not-Quite Minimalism, Hallucinatory Hyper-Realism And ‘The Glass Menagerie,’” The Huffington Post, December 16, 2011.
[web page]; http://www.huffingtonpost.com/2011/12/16/haiku-reviews-not-quite-m_n_1154098.html?ref=arts#s551385. [Accessed February 21, 2015].
Harvey Quaytman. Introduction by Dore Ashton, Interview with Kimmo Sarje. Phaidon Press Ltd., London, 2014.
“Above & Beyond – Readings and Talks: McKee Gallery,” The New Yorker, February 17 & 24, 2014.
Andrew Russeth, Dan Duray, Zoë Lescaze and Michael H. Miller, “12 Things to Do in New York’s Art World Before February 24,” The New York Observer, Observer.com, Gallerist, February 17, 2014. [web page]; http://galleristny.com/2014/02/12-things-to-do-in-new-yorks-art-world-before-february/#slide1 [Accessed March 1, 2014].
Andrew Russeth, “Harvey Quaytman on Paintings and Social Justice,” The New York Observer, Observer.com, Gallerist, Artists, February 25, 2014. [web page]; http://galleristny.com/2014/02/harvey-quaytman-on-the-social-value-of-his-paintings/
[Accessed March 1, 2014].
“Harvey Quaytman at McKee,” Art in America, Exhibitions: The Lookout, February 27, 2014. [web page]; http://www.artinamericamagazine.com/exhibitions/harvey-quaytman/
[Accessed March 1, 2014].
Peter Plagens, “Caught in the Middle of Irony and Tragedy: Exhibitions of Grisha Bruskin, Daniel Rich and Harvey Quaytman,” The Wall Street Journal, NY Culture, February 28, 2014. [web page]; http://online.wsj.com/news/articles/SB10001424052702303801304579408881275009454?mg=reno64-wsj&url=http%3A%2F%2Fonline.wsj.com%2Farticle%2FSB1000142405270230380130457940
8881275009454.html [Accessed March 1, 2014].
Sasha Levine, “Last Look: Artist Harvey Quaytman at McKee Gallery,” Departures Dispatch, March 18, 2014. [web page]; http://www.departures.com/blogs/art/last-look-artist-harvey-quaytman-mckee-gallery [Accessed February 19, 2015].
Prudence Peiffer, “Harvey Quaytman,” ARTFORUM, May 2014.